The work of Jacob Kirkegaard explores ways to reflect on complex, unnoticed or unapproachable conditions and environments. His works have treated themes such as radioactivity in Chernobyl, melting ice in the Arctic, border walls in global and metaphorical contexts, immersive acoustic explorations into global waste management, and processes related to when a human being dies. Using his recordings of firearms, grenades and tanks his recent work explores the sound of warfare orchestrated for the Royal Lifeguard’s Music Corps.
Another recent work unfolds the mechanical elements of agriculture and food production.
Since 2006 Kirkegaard has also been extensively researching, recording and creating works using otoacoustic emissions; tones generated from the actual human ear.
The core element and method of Jacob Kirkegaard’s work derive from the use of sound recordings of the tangible aspects from its intangible themes.
Lewis & Clark’s New York City off-campus study program combines interdisciplinary coursework with internships and weekly engagement in the city’s creative life. It offers an immersive path for students exploring careers in art, theatre, media, and more.
Lewis & Clark partnered with the Albina Music Trust to preserve Portland’s Black musical heritage, bringing Albina’s songs to campus through a panel discussion and immersive sound installation.
Cara Tomlinson’s Art and Ecology class uses waste materials from around Portland to create beautiful and meaningful works of art. This course offers a fresh approach to creative practice, merging art and ecology to help students respond to the climate crisis, explore the agency of materials, and build connections to place.